Aimeri Baddouh holding a Canon AE-1 film camera
Aimeri Baddouh, portrait

Aimeri Baddouh

Photographer · Cuenca, Ecuador

All of it comes back to controlling light and shadow. It’s like an oil painting, but made with a camera and the eye.

I photograph people and products. I got into it through the optics — once I started reading about how lenses actually work, I really lost myself in the technical side. My paid work is product photography and studio portraiture. The nature shots in the portrait gallery are personal; that’s where I started.

My work splits into three areas. Portraits — studio sittings and on-location work around Cuenca. Product photography in two modes: dark single-light studio shots, and flat-lays on saturated paper backdrops.

I work with local artisans and small businesses, expat families, international e-commerce brands, and visitors who want portraits while they’re in town. I speak English, Spanish, and Portuguese.

Most of my paid work has been product photography. Small businesses tend to find me on Instagram. Before I say yes, I look at the products and the brand and see if I can come up with an idea for the shoot — if nothing comes to mind, I’ll pass. From there it’s a few emails back and forth: brand, timeline, what you actually want from it.

At a glance

Based in
Cuenca, Ecuador
Languages
English, Spanish, Portuguese
Work
Portraits · Product · Brand

Selected clients

Firebelly Farms Silvia Jane Mariah Oller Studio gabmary

Read the case studies →

Why Cuenca

We left the U.S. because of the escalating persecution of latinos there. I’m Brazilian. Getting out was the goal — anywhere we could move to as a family would have worked. My wife did the research and Ecuador came out on top: dollar economy, most cities are pretty safe in spite of the cartel reputation. Cuenca specifically because the city carries old European, Cañari, and Inca culture all at once. It’s affordable, beautiful, and safe. We were falling in love with it before we even moved. The Cañari side of it has hit me hardest.

An altar laid out on the floor: a chakana, the Andean stepped cross, outlined in dried yellow corn around a spiral of white corn, with a lit candle in a clay bowl, maracas, bottles, a red woven sash and a bunch of fresh herbs with blue flowers
A chakana laid out in yellow and white corn

Get in touch

Or write to contact@baddouh.me